1/ a. Transmutation (BH,Laswell,Brain,Showard) 1.04 b. Flame War (Buckethead,BL,Brain,Showard) 3.34 c. Transmutation 2 (BH,Laswell,Brain,Showard) 3.14 d. Buckethead Audio Virus (Buckethead,BL,Brain,Showard) 2.11 e. Theatre Of Eternal Turntables (BH,Laswell,Brain,Showard) 5.19 (In 3 parts) 2/ a. Transmutation 3 (Fresh Impression) (Buckethead,BL,Brain,Showard) 3.45 b. Telematic Circuit Break (In 2 Parts) (BH,Laswell,Brain,Showard) 4.38 c. Low Bass Monster (Buckethead,BL,Brain,Showard) 5.01 3/ a. Ekstasis (BH,Laswell,Brain,Showard) 4.00 b. Flicker (BH,Laswell,Brain,Showard) 1.27 c. Compressed Signal Cuts (Buckethead,BL,Brain,Showard) 7.14 d. Transmutation 4 (Buckethead,BL,Brain,Showard) 2.41 4/ a. Cut-Chaos (BH,Laswell,Brain,Showard) 2.50 b. Giant Robot (Buckethead,BL,Brain,Showard) 4.18 c. Direct Hit (BH,Laswell,Brain,Showard) 2.32 d. Transmutation 5 (Ascent) (Buckethead,BL,Brain,Showard) 5.27 5/ Undercurrent (BH,Laswell,Brain,Showard) 5.59 Recorded live in Zurich, Switzerland, Jazznojazz Festival on June 21, 1996 Undercurrent recorded live at the Knitting Factory, NYC on June 30, 2000 Compiled and produced by Bill Laswell Engineer: Robert Musso Assistant: James Dellatacoma Live engineering: Oz Fritz Cover Art: James Koehnline Redesign: John Brown @ Cloud Chamber Innerhythmic: Steven Saporta NYC: Steve Dalmer UK: Ian Blackaby Germany: Robert Soares Boston: L & M Urso Invasion: Peter Casperson Mastered by Michael Fossenkemper at Turtle Tone Studios, NYC Second: Alex TheoretBuckethead: guitar; Brain: drums; Bill Laswell: bass; DXT: turntables, keyboards; INVISIBLE SCRATCH PICKLES - DJs Q-Bert, Mixmaster Mike, Shortkut, Disk: turntables.
2006 - Innerhythmic (USA), INR006 (CD)Note: This was previously released (in slightly different form) as Transmutation Live.
For those who didn't get to hear the scarce first edition of this performance, you will quickly find Zurich much more appealing than the previous live disc Warszawa. Although the performance is still very jam-based, a number of the familiar tunes from Transmutation make an appearance under different titles. Fans will recognize the Praxis/Buckethead favorites like Crash Victim, Jowls, Giant Robot, and Animal Behavior embedded in the intense jams. The mixture of improv as well as familiar tunes make Zurich a more likable listen than Warszawa.
Although a lot of great material is present, I felt that perhaps a little too much time was dedicated simply to DJ scratching. In fact there are probably 4-5 average length tracks dedicated completely to scratching with no other instruments included. If you like that kind of thing you will love this CD, if not there will probably be a few tracks you won't revisit after the initial listen. Also as this is a genuine live recording with no overdubs, so there are some mistakes, and a lot of feedback sometimes. However when considering how great the recording is as a whole, these are small flaws that can be easily overlooked.
All in all a fantastic listen from Praxis and Company that shows what a great jam/ avantegarde band should sound like. I highly recommend Zurich
M. Ryan Fairbanks (courtesy of the Amazon website)