PRAXIS
MOLD
1/ Meldt (Laswell) 9.10
2/ Narcoleprosy (Laswell) 4.12
3/ Electric Soil (Laswell) 3.25
4/ Sunshine (Laswell) 3.04
5/ Babble Stream (Laswell) 5.24
6/ First Wish After Death (Laswell) 1.37
7/ Lichenous Shock (Laswell) 6.52
8/ Throes of Rasputin (Laswell) 8.54
9/ Sqlxzm (Laswell) 4.14
10/ Septic Plague (Laswell) 12.57
11/ Viral Sonata #69 (Laswell) 8.05
Recorded by Rob at Evergreen and Alex at Avatar
Additional mix, edit, assembly by Peter Wetherbee at Voudoufunk, New
York City
Assistants: Anthony Ruotolo and Julian Joyce
Mixed by Alex Haas and Peter Wetherbee
Produced by Laswell/Haas/Wetherbee
Composed by Bill Laswell
Decomposed by Alex Haas
Undertaker: Peter Wetherbee
Mastered by Joe Lambert at Ground Zero
Bill Laswell: bass, cuts, scratches, scans; Alex Haas: treatments, keyboardsm
process; David "DeadTech" Castellan: loops, textures, compost; Julian “MPC”
Joyce: Dark Step Junglist; Pat Thrall: guitars; Anne Pollack: flutes; Charlotta
Jansen: voice; Peter Wetherbee: drums, guitars, voice, synthesis, loops, beats,
noise.
1998 - Yikes! (USA), YIK CD 7775-2 (CD)
REVIEWS :
Although most of Bill Laswell's fans have been nearly overwhelmed by the this
year's abundance of new releases and enticing Bob Marley/Miles Davis remix
projects, there's a dissenting contingent (including a vote here) that finds
his ambient/dubology work just as fascinating. His collaborations as Praxis
have always been the most difficult to defend, since there is a colossal mass
of DJs and remixers working in the same vein, yet Laswell and crew are able to
discover new ways to disassemble and reconstruct these sound treatments while
maintaining an abundance of grooves. Along with multi-instrumentalists/mixers
Alex Haas and Peter Wetherbee, Laswell embarks on an illbient-bent journey
into an abyss of netherworldish noise textures- with a low, growling bass,
warlock-like chanting, and scratchology mind-fuggery- that sound as if they
were drained repeatedly into the black hole and burped back 'atcha. Granted,
some of Laswell's sidework with Axiom/SubRosa/BlackArc were just mildly
interesting fusion sessions, but I've been living and working with this one
for some time. Except for his explosive Last Exit work, this may be one of his
more challenging collaborations.
Virginia Reed (courtesy of the Focus Magazine website)