DAEVID ALLEN
DIVIDEDALIENCLOCKWORKBAND
This album is a live performance by Daevid Allen, in which he took selected
rhythm tracks from the New York Gong band and cut into various multiples of bar
lengths and spliced into loops. They were then replayed onto the backing track
master in organized loop constructs/sequences.
1/ Preface (Allen) 1.27
2/ SQ Invocation (Allen) 7.46
3/ When (Allen) 7.46
4/ Well (Allen) 1.29
5/ Bell (Allen) 1.01
6/ Boon (Allen) 1.05
7/ Dab (Allen) 1.44
8/ Gay (Allen) 2.10
9/ Poet For Sale (Allen) 4.25
10/ I Am a Freud (Allen) 3.11
11/ Fastfather (Allen) 5.03
12/ Disguise (Allen) 1.01
13/ Gone & Wondering Waltz (Allen) 1.57
14/ Sex Is a Careless Sea (Allen) 7.30
15/ Death of Rock (Allen) 4.32
16/ Tally's Birthday Song (Allen) 4.37
17/ Pearls (Allen) 2.37
18/ Bodygas (Allen) 0.57
19/ Froghello (Allen) 2.11
20/ Strong Woman (Allen) 4.31
21/ Smile (Allen) 9.04
Recorded live at the Squat Theatre 1980
Produced by Daevid Allen
Executive Producer: Johny Greene
Edited and mastered by Chris Thorpe
Daevid Allen: guitar, glissando guitar, voices, tape loops and constructions;
Elizabeth Middleton aka Octavia Neptuna (16): taped piano; Mars Williamson
(17,19): bass sax; NEW YORK GONG - Fred Maher: drums; Bill Bacon:
drums, percussion; Bill Laswell: bass; Michael Beinhorn: synth.
1997 - Blueprint, BP269 (CD)
REVIEWS :
A typically daffy and Dada live performance by Daevid Allen in New York circa 1980, Divided Alien Clockwork
Band is part university lecture (advanced credit only; working knowledge of the albums Allen recorded
in the '70s with Gong, particularly the Radio Gnome Trilogy, is essential), part Bonzo Dog Band-style
multimedia musical comedy, part Frippertronics-style avant rock demonstration, and part space rock freakout.
Backed by drummers Fred Maher and Bill Bacon and bassist Bill Laswell — this was the time during which Allen
was living in New York and investigating the nascent downtown scene — Allen cycles between synthesizers and
his trademark gliss guitar while also engaging with the audience in his typically cryptic,
stream-of-consciousness fashion. The best tracks are ones like the slowly unfolding "Smile," in which Allen
and his backing trio have enough time to actually find a groove among Allen's disjointed fragments; some of
the songs are simply too short to get one's head around before Allen and company are darting down yet another
blind alley. For the perseverant, however, Divided Alien Clockwork Band does untangle enough to give some
tantalizing glimpses into Daevid Allen's inimitable mind.
3 stars out of 5
Stewart Mason (courtesy of the All Music Guide website)