1/ Mustapha - Jonathan Richman (Traditional) 3.01 2/ Mustapha - Pascal Comelade (Traditional,Comelade) 2.32 3/ Mustapha - Solo (Solo) 3.55 4/ Mustapha - Nicky Skopelitis/Bill Laswell (Traditional,Skopelitis) 11.33 5/ Mustapha - Jean Touitou (Traditional,Touitou) 3.20 6/ Mustapha - Gregoire Garrigues (Traditional,Garrigues) 2.33 7/ Mustapha - Rachid Taha (Traditional) 3.11 8/ Mustapha Dub - Jean Touitou (Traditional,Touitou) 4.20 9/ Mustapha Instrumental - Jonathan Richman (Traditional) 3.02 BONUS BEATS 10/ Tunis Central - Solo (Solo) 3.05 11/ Nap In D - Solo (Solo) 2.58 Each track produced and arranged by it's performer, except as noted Tracks 1 and 9 produced by Brennan TottenTracks 1,7 and 9 arranged by B. Azzam and E. Barclay
1994 - A.P.C. (France), A.P.C. 002 (CD)
Anyway, here they are : different interpretations of the same melody by different musicians. For french artists, Mustapha is a good joke, so they play this song with a lot of fun, irony and humour. That is the reason why Skopelitis (the only non french interpreter) adaptation sounds so serious and deep, in comparison with the other tracks featured in the album. Versions on this second release of the APC catalog are very free from the original and you will probably find what you want :
- two silly rock N roll (described in the APC website as psychedelic surf!) or
punk rock interpretions by Greg Garrigues and Jean Touitou himself.
- two versions close to the original single (but less kitsh, perhaps) by
Jonathan Richman and french pop-rai star Rachid Taha.
- a semi acoustic minimalist performance (very hard to describe, in fact) by
Pascal Comelade.
- a slow dark dub track by Solo (with two bonus beats at the end of the CD).
Perhaps the most hard to recognize version and the weakest track of this
compilation.
- at last, the best (of course), a beautiful, 10 minutes long version by
Skopelitis and Laswell (with others musicians that are not listed in the CD
sleeve). This is the most serious interpretation of Mustapha, more close to
the traditionnal melody than to the sixties hit. It is fascinating to hear
what BL and NS can do with just a nice pop song : a beautiful, ambient
jewel, certainly the best moment of this CD. I think that the track has been
recorded during the 'Hallucination engine' sessions because it could easily
be included in the Axiom album. At all events, it has the same intensity
than the Material or Skopelitis 'Ekstasis' album.
To conclude, I would say that 'Think about Mustapha' is a strange and heterogeneous compilation. Get this CD if you want to have fun and smile. Get it also if you are a Laswell fan.
Alain Haas